Photo: Silvia Golan |
In Israel, the
Romanian Cultural Institute (Tel Aviv) organizes an annual event for Romania’s
national day - December 1st. The 2019 celebration was festive in a different
way, thanks to the new collaboration between the Institute and the
Jerusalem Symphony Orchestra. So, on December 1st, with members of the JSO
seated on the stage, the Jerusalem Theatre’s Henry Crown Hall filled to
capacity for an evening of music by Romanian composers, performed by Romanian
conductor Ionit Pascu, six soloists from Romanian opera houses and a Romanian
panpipe player. Mr. Yair Stern, chairman and CEO of the JSO, opened the event
with words of welcome, to be followed by Mr. Marton Salamon, director of
Romanian Cultural Institute, Tel Aviv, who spoke of the new connection forged
with the JSO as the beginning of a felicitous collaboration. He explained the
nature of the evening’s program - mostly older Romanian songs in new settings
as reappraised by Maestro Pascu.
A composer whose
songs featured on the program was Gherase Dendrino (1901-1973) who wrote the
operetta “Lăsați-mă să cânt” (Let me sing!) in celebration of 100 years
of Ciprian Porumbescu’s birth. It revolves around the figure of Porumbescu
himself, the first Romanian composer to have ever written an operetta that
would be performed and published; Porumbescu called his work “Crai nou” [New
Moon]. We heard two arias from Porumbescu’s operetta. Figuring largely
throughout the program were songs of Tiberiu Brediceanu (1877-1968), who
had served as general manager of the Bucharest Opera House. His compendium
included songs and ballads, he published a collection of 170 folk melodies and
wrote several works based on Romanian folk songs. The evening was filled with
much popular- and operetta repertoire - stirring solos, duets and
ensembles - works clearly familiar to- and heartily enjoyed by audience members
of Romanian origin, but also attractive to others of us to whom the repertoire
was new. The songs were presented by six of Romania’s most prominent singers -
sopranos Mirela Grădinaru, Madeleine Pasen and Aida Pascu, mezzo-soprano Alina
Dragnea, tenor Andrei Manea and bass Ștefan Ignat.
Adding colour and
pizzazz to the evening was Dalila Cernătescu’s virtuosic playing of the
Romanian pan pipes. Unfortunately, we did not hear enough of renowned classical
guitarist Bogdan Mihăilescu, with his playing drowned out by the Jerusalem
Symphony Orchestra’s exuberant sound. Cheerfully leading all throughout the
evening was Maestro Ionut Pascu, a baritone soloist at the Bucharest National
Opera who also performs in opera houses in Europe, China and South Korea.
As of 2011, he has soloed extensively with the Israeli Opera.
No comments:
Post a Comment